The worship of Mother Goddesses plays an important role in the spiritual life of Vietnamesepeople and others in some areas in Southeast Asia, according toparticipants at a recent workshop in the northern province of NamDinh.
The two-day workshop, which ended on Sept.30, also drew representatives from communities practising the worshipbesides scholars, researchers and cultural workers.
Allthe speakers shared the same opinion that the worship is a popularbelief in all ethnic communities in Vietnam and others in wet-ricecultivation areas in the region.
The belief paysparticular respect to the creative and productive power of the DivineMother in nature, similar to the Earth Mother in Stone-Age Westernreligion. It uses the figure of the Mother in a myriad forms to pray forluck and protection and reflects a main feature of Vietnamese life – appreciation of the value and the role of women in the family and community life.
Professor Ngo Duc Thinh, director of Vietnam Belief Culture Researchand Preservation Centre in Hanoi , noted that the religion had become anational development in Vietnam in recent centuries.
The belief considers the natural world and humans as a unified andidentical entity, he said, in which the Mother of human beings is also"Mother of Nature".
Mother worship can appear inmany forms. There are Rain Mother, Cloud Mother, Thunder Mother,Lightning Mother, and mothers of the five basic elements – Metal, Wood, Water, Fire and Earth.
Thinh said there were also nature controllers such as the HeavenlyMother controlling the skies, the Earth Mother controlling all the land,the Water Mother controlling rivers, streams and the seas – and theMountain Mother who looks after the mountains and forests.
The symbolic Mother can protect people and bring good fortune. This is expressed at many festivals and in legends and customs.
The Mother also includes earthly figures such as Mother Au Co, thelegendary Mountain Fairy whose children were the progenitors of the Vietnamese people. Her husband was the Dragon King Lac Long Quan.
This helps explain why the worship is so nationalistic. Not only doesit honour Au Co, but it also takes in the historic Trung sisters whofought the Chinese invaders in AD 43 and defeated them.
♔ It also includes national heroine Lady Trieu who defeated the northern invaders in 248. It is this association with the primeval Mother Goddess and historic or legendary female heroines and outstanding characters that has helped give the Vietnamese their strong brand of nationalism and individual brand of spirituality.
It is a spirituality that exists in its own temples beside the introduced religions of Buddhism, Confucianism and Taoism.
Thinh said that unlike other beliefs, the worship of Mother Goddessesdoes not dwell on guiding people in the world after death, but tends tofocus on the real world in which people are living in – and their needsfor health, wealth and prosperity.
"It is an active way of thinking, similar to realistic ideology of Vietnamese people," he said.
At the workshop, many speakers raised concerns about the local artsof “chau van”, a kind of spiritual ritual combining folk singing,dancing – and “hau dong” involving women mediums going into trances,which are usually performed in rituals to worship Mother Goddesses.
According to statistics from the culture ministry, Nam Dinh possesses287 temples and vestiges relating to the Mother Goddess belief. It isestimated that there are about 600 artists practising the rituals in theprovince, including 246 mediums, 245 cung van (chau van singers) and162 musical instrumentalists.
The art form was createdduring the Tran dynasty (1225-1400) and has become popular at festivalsand rituals. It is performed at temples and pagodas as people believe itis the best way to connect to the Mother Goddesses.-VNA
The two-day workshop, which ended on Sept.30, also drew representatives from communities practising the worshipbesides scholars, researchers and cultural workers.
Allthe speakers shared the same opinion that the worship is a popularbelief in all ethnic communities in Vietnam and others in wet-ricecultivation areas in the region.
The belief paysparticular respect to the creative and productive power of the DivineMother in nature, similar to the Earth Mother in Stone-Age Westernreligion. It uses the figure of the Mother in a myriad forms to pray forluck and protection and reflects a main feature of Vietnamese life – appreciation of the value and the role of women in the family and community life.
Professor Ngo Duc Thinh, director of Vietnam Belief Culture Researchand Preservation Centre in Hanoi , noted that the religion had become anational development in Vietnam in recent centuries.
The belief considers the natural world and humans as a unified andidentical entity, he said, in which the Mother of human beings is also"Mother of Nature".
Mother worship can appear inmany forms. There are Rain Mother, Cloud Mother, Thunder Mother,Lightning Mother, and mothers of the five basic elements – Metal, Wood, Water, Fire and Earth.
Thinh said there were also nature controllers such as the HeavenlyMother controlling the skies, the Earth Mother controlling all the land,the Water Mother controlling rivers, streams and the seas – and theMountain Mother who looks after the mountains and forests.
The symbolic Mother can protect people and bring good fortune. This is expressed at many festivals and in legends and customs.
The Mother also includes earthly figures such as Mother Au Co, thelegendary Mountain Fairy whose children were the progenitors of the Vietnamese people. Her husband was the Dragon King Lac Long Quan.
This helps explain why the worship is so nationalistic. Not only doesit honour Au Co, but it also takes in the historic Trung sisters whofought the Chinese invaders in AD 43 and defeated them.
♔ It also includes national heroine Lady Trieu who defeated the northern invaders in 248. It is this association with the primeval Mother Goddess and historic or legendary female heroines and outstanding characters that has helped give the Vietnamese their strong brand of nationalism and individual brand of spirituality.
It is a spirituality that exists in its own temples beside the introduced religions of Buddhism, Confucianism and Taoism.
Thinh said that unlike other beliefs, the worship of Mother Goddessesdoes not dwell on guiding people in the world after death, but tends tofocus on the real world in which people are living in – and their needsfor health, wealth and prosperity.
"It is an active way of thinking, similar to realistic ideology of Vietnamese people," he said.
At the workshop, many speakers raised concerns about the local artsof “chau van”, a kind of spiritual ritual combining folk singing,dancing – and “hau dong” involving women mediums going into trances,which are usually performed in rituals to worship Mother Goddesses.
According to statistics from the culture ministry, Nam Dinh possesses287 temples and vestiges relating to the Mother Goddess belief. It isestimated that there are about 600 artists practising the rituals in theprovince, including 246 mediums, 245 cung van (chau van singers) and162 musical instrumentalists.
The art form was createdduring the Tran dynasty (1225-1400) and has become popular at festivalsand rituals. It is performed at temples and pagodas as people believe itis the best way to connect to the Mother Goddesses.-VNA
